Showing posts with label dqs. Show all posts
Showing posts with label dqs. Show all posts

The Smell of Grass

>> Tuesday, June 21, 2011


I am highly allergic to grass. I do my best to avoid sitting on it in order to avoid itchy skin and red  rashes. I take lots of allergy medicine in the spring. But I love the smell of freshcut grass. And this quilt, an angel quilt for DQS10 from Carol, reminds me of that fresh smell of grass. It's summery and fun, a perfect picnic scene.

The postal service seems to have disappeared the original quilt made for me, by MichelleSews. Perhaps they didn't like my complaints about their inconsistent rules for flat-rate envelopes and treated the quilt like a dissident in an authoritarian regime? It's unclear, though perhaps it will magically appear at some point later. In the meantime, Carol, or MamaCJT as she is known on Flickr, stepped into her role as angel-quilt-maker-extraordinaire and sent me a quilt, for which I am very grateful. I think this will look great on the blue walls of my bedroom and I look forward to hanging it up. Carol also sent along some fun fabric scraps which I look forward to playing with and turning into something....another quilt perhaps.

Read more...

Items of Note

>> Thursday, March 24, 2011

The good....Natalie received my dqs10 pojagi panel. Check out her blog post for, among other things, super-cute pictures of her cats debating how they feel about the new art in their home. She also documents our one-sided conversations over the past couple of months, in which I posed questions or posted pictures and hoped she would respond, while she responded not knowing how gratified to hear from her.

The important...



Modern Relief is at it again, this time raising money for Japan via a quilt raffle. The raffle will take place April 4, and you "buy" tickets to it through donations to Mercy Corps. As I know people in and with strong connections to Japan and I know people who have worked for Mercy Corps, I really like this combination. I've emailed the coordinators about donating a quilt and, pending their word, you may be able to win a two hippos original quilt.

The complicated....I started what became a long post about challenging questions about the spectrum of easy/hard, simple/complicated quilts, but it's become too long for this post, so I'll post it separately soon.

Read more...

Pojagi Complete!

>> Thursday, March 17, 2011

I finished up "Bom," my pojagi panel for DQS10. I finally decided to approach the binding as a rolled hem. I realized that I couldn't iron a quarter-inch seam, but I could iron a half-inch seam. As a result, I ironed the half-inch and then folded the edge into the fold and ironed again -- the same way I make handles for bags. This worked well and will be my new go-to method.

The picture makes the two shot cottons look more starkly different than they do in person. What's neat in person is that, depending on the light, the panel can look like it contains 4 different fabrics. Because the warp and weft of the fabric use different colors, the orientation of the piece of fabric alters which thread color looks stronger. The lighter green therefore sometimes looks more blue or more yellow, while the darker green looks more bright green or more gray-green.


As the picture shows, it's cherry blossom season in DC. Since my partner loves Japanese fabrics, this seems like perfect timing. It also means that spring is truly about to arrive, and I look forward to the realization of the weatherman's prediction of mid-60s and sun today and mid-70s tomorrow on Friday. Now I will be inside most of the day at the archives, but I'm hoping to duck outside for lunch at the very least. While spring is not my favorite season, it is DC's finest season, and I will enjoy the advent of what I like to call "chaco weather" earlier than it arrives in the Midwest.

The cherry trees were, of course, a gift from Japan to the United States. For those looking for a way to help Japan as it recovers from the recent earthquake, tsunami, and nuclear crisis, google is helping coordinate donations to reputable groups as well as help people locate loved ones.

Read more...

Spring Ahead

>> Saturday, March 12, 2011

It's a good thing that NPR informed me that we're springing ahead, time-wise, tonight because I might not have realized it otherwise. Clock-switching also wreaks a touch of havoc on my sleep patterns as I'm one of those people for whom light is the best alarm clock. Actually I'm pretty good at setting and responding to mental alarm clocks (my ability to wake up 3 minutes before my alarm goes off is both a blessing and a curse), but light is the key factor in my rising. In a dark room, I can sleep in. Otherwise, it's not going to happen. Now this doesn't mean I pop out of bed immediately, because I don't; rather, I lie in bed, semi-awake listening to Morning/Weekend Edition, thinking, or, if more awake, reading (a decadent treat). So whenever the time switches, it takes me about a week to get used to the new light situation (more or less) after which my circadian rhythms adapt to the slight day-by-day changes quite easily.

But speaking of spring, I've also made progress on my pojagi DQS10 quilt. It's almost done. I need to decide how I'm going to add a label, which is a DQS requirement, in a way that doesn't detract from the design. I also need to decide how to finish the quilt -- whether I want to add a more traditional quilt binding or whether I'll fold the edges in and sew, sort of like a hem, but also more in line with the pojagi technique. I think the latter would be more fitting but I'm not sure I trust my ability to iron and sew the edges in a straight line. I might practice first and see how it goes.

Read more...

Bom: Pojagi Progress

>> Monday, March 7, 2011

According to trusty Google translate, "bom" is the phonetic version of "spring" in Korean. I'm not really clear on whether "bom" refers to the season spring, to a fresh water spring, to springing up from the ground, or perhaps all of the above. Perhaps one of my readers will enlighten me. I looked up the Korean word for spring because my current project (for DQS10) evokes spring, with its green colors. As previously noted, my partner really likes Asian prints, motifs, and craftwork, and I decided to make a pojagi wall-hanging. I'm not sure if I'm more excited about the new technique I've learned (I'm using the first option described here) or with the shot cottons I picked up for this quilt. Shot cottons are special in that the warp and weft use two different colored yarns which result in a piece of cloth that can look multicolored or more textured. I opted for 2 greens: the darker green uses green and blue threads while the lighter one is actually a composite of yellow and blue (which appear green, per the color wheel I first encountered in elementary school art class).

This image, which highlights how the seams help make the art, also gives a glimpse at the shot cottons work. You can see the grain-like pattern in each rectangle, which is created by the different colored threads. (The darker part of the rectangle at the top is the most recent fabric attached but not yet finished.) I chose to sew with gray thread because I didn't like how any of the green thread I owned looked with both of the colors. I also like the gray for its sturdy-work quality, as pojagi was originally a utilitarian wrapping cloth used by workers or the commoners in feudal kingdoms.

It took me a few tries to get the seams correct and even more rounds to feel comfortable with the technique (and not need to refer to the tutorial on my computer each time I ironed a seam). But once I got going, it moved pretty quickly. I still have plenty of work to go, but I like how it's shaping up.

Read more...

DQS Design Decisions

>> Thursday, February 10, 2011

Image credit: The Silly BooDilly

I first learned about Pojagi, a Korean patchwork style, from Victoria's blog. It uses the seams created by sewing 2 pieces of fabric together as a design element, rather than an unfortunate byproduct that needs to be hidden. Some DQS partner-stalking (all good-natured, of course), I realized that my partner seems to like Japanese fabrics and Asian-inspired design. I posted a question about Pojagi, since the finished product is different than a standard quilt. After receiving positive feedback and interest from DQSers, I decided to go with this new technique (for which Victoria handily posted a tutorial).

She recommends using thinner fabrics (e.g., muslin instead of quilting-weight cotton) and lighter shot cottons in particular. Shot cottons are solids woven with different colors in the warp and the weft, thus creating a more visually interesting solid. I found some blue, green, and grey options that I'm contemplating, though I'm still on the lookout for the right color. I think this is an "I'll know it when I see it" situation, and I've been drawn toward purples of late. Maybe purple with a touch of blue or grey? There's also something about green (thinking of spring?) that seems appealing as well. Decisions, decisions...

Read more...

DQS10 Inspiration Mosaic

>> Sunday, January 16, 2011



DQS10 is underway, and I received my partner's information this morning. I hope my inspiration mosaic gives my partner some hints and clues as to what I'm loving these days. Putting this together showed me how my tastes have shifted -- so many of my current favorites are based on solids and circles put together in really bold and striking ways. Of course, not all fall into this category, and my love for trees and birds, hexagons and squares persists as well. The missing square is supposed to be Elizabeth's Tokyo Subway Map quilt. There are some really neat derivatives of that quilt in her flickr group, and I'm definitely thinking about ways to use the idea for quilts of my own. Whatever the individual fabrics, colors, and designs in my mosaic, I do think they all share a sense of movement.

That said, this mosaic is intended to be inspiration so whether the quilt comes out of it directly or indirectly, or emerges from reading my blog or scrolling through my Flickr favorites or consulting a magic 8-ball, I'm excited to see what you make. And with that, let the DQS10 partner stalking begin.....

Read more...

DQS 9 Received

>> Monday, September 6, 2010

This weekend I received the quilt made for me in DQS 9. As it turns out, DQS 9 was a swap and Jeanette (scrapnchick) and I ended up as one another's partners, so I sent a quilt off to her and she sent this one to me. On flickr, I know she said this challenged her to move outside of her usual color palette, and I think she did a great job making a fun and bright quilt. I especially love the jumbo ric-rac stem -- I don't think I've ever seen ric-rac that big before. My plan is to hang this in my otherwise drab, standard-issue office to enliven that space.

Jeanette was kind enough to send along some extra goodies as well: a cathedral windows pincushion (wow! I've long admired cathedral windows but they intimidate me), a hexagon needle case, some red trim, and a cheery notepad. Thanks Jeanette!

Read more...

Bird Scene

>> Monday, August 23, 2010

...or how the quilt I made for DQS 9 developed. I am, admittedly, a procrastinator. Sometimes. But I love deadlines and I love meeting them and even meeting them early. I knew I needed to complete my DQS 9 quilt by early September and had every intention of completing it by late August. I just didn't start cutting fabric and sewing it until late August either.

I knew I wouldn't get started on it early -- not only would that go against my delaying tendencies (doesn't that sound nicer than procrastinating) but I had work to do. Namely, exams that required me to read hundreds of books. Despite not picking up a rotary cutter and ruler, much less paper and pencil, I spent a lot of time thinking about the mini-quilt and creating design options in my head. Twenty-four hours before I put pen to paper, a task that occurred roughly 15 hours before the first part of my exam, I had a different background design planned. And then I changed my mind.

At the last minute, I decided to try my hand at paper piecing a design I drafted myself. It wasn't hard or complicated but I'd never done it before. To back up a step, I had decided to render a scene with a mixture of pieced and appliqued fabric. Having scrolled through my partner's (henceforth known as P) favorites on flickr, I knew P liked birds or at least bird quilts -- a favorite of mine as well. Then I contemplated backgrounds for birds and came up with a number of possibilities, none of which look like the above.


But new ideas pan out, paper piecing worked, and there lay a rectangle of grey and yellow rays, representing the sun shining down. Where to go from there? Where would the bird go? What would the bird look like -- which is to say, would it be flying or perching since neither my ornithology nor illustration skills would permit much in the way of advanced identifiable bird making. What else would fill the picture? Using a bird cut from IKEA fabric and paper as "grass" or "leaves," I came up with 2 options, the one above and the one below.

Some people sketch, I make cut paper samples -- a remnant, perhaps, of my 2nd grade poster that won a Metro contest for advising people to "be safe on Metro and stay off the tracks" all crafted from ripped construction paper. After posting the 2 options on flickr, the awesome DQS 9 community asked some questions and gave me some suggestions that led to a 3rd option.

Which is the one I elected to pursue. Now I turned to color choices and fabric cutting, needing to work out branches, a bird, leaves, and grass. I sampled a few prints for the bird before selecting the final color. I chopped up some green scraps, cut out charcoal branches (aesthetics, not nature, dictated that choice), and mocked it up (that's what designers say, right?).

A gust of wind would have erased this, sort of like shaking an etch-a-sketch. This was a good thing, because I realized it wasn't yet complete and needed a little more punch.

Punch arrived courtesy a white border, onto which the scene could spill over. Also, it helped the colors pop and cemented my vision of looking out a window onto this scene. In fact, a little red bird (a cardinal perhaps) visited the tree branch outside my window today, but I digress as all this design work occurred a couple days ago. Finally satisfied with the layout, I tacked everything down and then paused to think about how to quilt it. Since I was indecisive, I opted to make the back, which was necessary for moving to the quilting stage anyways.

I started slowly, with the branches and leaves, which boosted my confidence for the bird. I had a sense of what I wanted the grass to look like but was unsure about how the quilting would work out. Fine, it turns out.

Fine after I added the flowers, anyways. The all green, all the time didn't totally work but I let it sit overnight and came up with a solution: flowers! I'm debating whether I should add some iridescent seed beads to the flowers, but aside from that, the quilt is bound and ready to go.

Except for adding my partner's name, that is, to the label. I pieced the back to riff off the front. The patchwork around the label is comprised of fabrics from the front, and I thought my template bird deserved some attention as well, so it got to play second fiddle to the front-side bird on the back. Actually, I really love the back and think it's fun on its own as well.

Read more...

DQS9 Inspiration

>> Sunday, June 13, 2010




I was lucky enough to make it into DQS 9, and love watching all sorts of neat mini quilts pop into flickr as folks start creating them for their secret partners. If you've made it over here, hi partner! I've made a mosaic of some quilts I love -- some simple to construct and some more difficult, but all of which I find inspiring. I love bright color -- both prints and solids -- and negative space. As I put this together, I realized that I picked a lot of quilts that showcase birds, either in design or via fabric. But there are lots of directions to pursue and I hope you have fun being creative. I can't wait to see what you come up with for this summer swap.

Read more...

DQS Treats!

>> Friday, March 12, 2010

The mail brought me a fun package this week: a quilt from my DQS partner Shannon. She worked extra hard on this, after initially starting a pink quilt and then rereading my email noting that I love blue and don't love pink. Thank you for that extra work! She made a beautiful squares in squares quilt, named "Words in Blue Boxes."


Shannon included some extra treats -- 
some red and purple fabric as well as thread (plus the beautiful card)....

And this neat green fabric plus a journal.

Thank you, Shannon!

Read more...

Galaxy Quilt: Finished and Shipped

>> Wednesday, March 3, 2010

 
The Galaxy quilt is complete and in the clutches of the U.S. Postal Service. I hope it makes its way to my DQS 8 partner in good speed, or at least the 2-3 days priority mail is supposed to take.

My partner expressed an appreciation for the brown/aqua/cream/red combination (and some others, but I went with this one). I've seen aqua and red pop up all over the quilt blogosphere, and it looks sharp. I like that it works as well with chocolatey brown as it would with a gray.

I made 7 wonky stars, originally thinking they would all fit on the front in some sort of random pattern. Had I made all small wonky stars, that might have worked. But the largest turned out to be 15" square and that created problems. As it is, the quilt is a smidgen oversized, clocking in at 27" square rather than the upper limit of 24" square. I hope my partner doesn't mind.

As a result, I used 4 of the stars on the front and 4 on the back. I wanted a decent amount of negative space, and I like how it turned out. In order to make sure there was some red on the back as well as the front, I added the red strip and placed the label on a red rectangle.

I quilted 1/4" away from each of the stars in the front (using aqua thread around the red stars and red thread around the aqua stars). The I opted for swirly filigree quilting in brown thread on the brown background. This is the first time I've separated out an element and quilted it differently. I think it might be better on a quilt with one fabric on the back, but I still like it.

This might be my favorite star. I like the mix of elpogated and squat points. Piecing the quilt together as tricky because I wanted some of the stars on an angle. If I were confident in foundation piecing, that might have been a better option. Instead, I pieced and cut and pieced and trimmed and pieced and cut until satisfied. I didn't even watch any internet TV while I did it, lest I mess it up.

I love this Tina Givens watercolor-like fabric and used it for the binding. Like usual, I machine-stitched it all. This was a fun experiment and the DQS folk are a neat bunch. There's loads of inspiration bobbing around in the flickr pool.

Read more...

Galaxy Quilt (In Progress)

>> Sunday, February 28, 2010

 
For the record, I am very good at meeting deadlines. This trait probably has a little something to do with working on my high school and then college newspaper as a writer, photographer, and editor (usually only two of the three at one time, but when necessary, I could don all three hats for the issue). The DQS 8 deadline is fast approaching, and it was time to get working on a quilt for my swap partner.

AlthoughI'd figured out (at least conceptually) what I wanted to do, I didn't cut into any fabric or start sewing until last night. By the end of the evening, I'd amassed the wonky stars above, in various prints of red and aqua set against chocolate brown.

Over the course of today, I played with the block arrangements (I should have taken pictures along the way as it evolved through many iterations), pieced the quilt (that was a bit tricky, I must say, and the seam ripper scissors came in quite handy), quilted it, and now all I have left is the binding. I'll even make the internaitonal mailing deadline of March 1, though mine is a domestic package.

More on the quilt (and others too!) soon....

Read more...

  © Blogger template Autumn Leaves by Ourblogtemplates.com 2008

Back to TOP