Showing posts with label challah covers. Show all posts
Showing posts with label challah covers. Show all posts

Tutorial: How to Make a Challah Cover

>> Tuesday, August 7, 2012

One of the most frequent queries I get is "how do you make a challah cover?" I've avoided answering this question directly because there is no one way to do it. In a pinch, an unfolded napkin is just as functional in covering challah (delicious egg bread eaten on Shabbat (the Jewish Sabbath) and most Jewish holidays) as a beautiful silk-screened, embroidered, quilted, or otherwise crafted piece of art.

But Sew Mama Sew has provided me with a wonderful opportunity to demonstrate how to make a challah cover. The tutorial includes templates for paper-piecing Shabbat in Hebrew as well as complete cutting and piecing instructions. Even if you don't need one for yourself, here's a chance to impress your friends when you give them a fabulously modern challah cover with Hebrew letters. (A big thanks to Michelle, Anna, Brenda, and Torie for making sure the templates and instructions made sense to non-Hebrew speakers.) It may be in another language that uses a non-Roman alphabet, but you don't have to be able to read it to piece it!

Head over to SMS for my Challah Cover Tutorial. I'd love to see what you make!

p.s. If you want to machine-bind your challah cover, you can find my machine-binding tutorial here.

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Curves Ahead

>> Thursday, May 24, 2012

It's only taken 14 years, but I've finally taught myself how to piece precise curves. I'm glad I waited, because I'm a big fan of the "no-pin and trim" method (also taught in Rachel's Curves class). I only pin when absolutely necessary, and even then I try to find ways around such tedium. I have a plan for a larger quilt, but the goal was to smart small. I thought I had printed some templates out before I left Michigan. I mean, I had printed them, but I thought I actually had them with me. But no, I left them in a pile of papers back home. And I don't have easy access to a printer right now.

Never fear, there's always a way. Such a way might include, for example, tracing templates from the laptop screen. Press gently. It will work. Even with drafty templates and no pins, the pieces basically line up. That looks pretty circular, right? Trimming is the key, and it's really quite effective with drunkard's path blocks. Even if the block sews up a little tipsy (because that Belgian beer was super delicious), it's fixable.

I limited myself to one storage box of fabric when I left Michigan for this temporary jaunt away. I chose to bring my box of solids plus a few other prints for a couple of planned quilts (this not being one of them, of course). But one of the prints worked for the back, and Betty's Orange clamored to serve as the binding. That's a siren's call I can't resist. Ditto on the seductive curves. Now that I've made them, I'm captivated.

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Purple

>> Thursday, April 12, 2012

Purple is a finicky color. Or I'm finicky about purple. I like it, but I don't like a lot of purple fabrics. It occupies the least space in my stash (to put it in perspective, I have much more pink fabric than purple fabric, and I could easily live my life without any pink in it). There have been more "good" purples of late, especially on the cerise end of the deep purple spectrum, but very few deep bluish-purples. But I know several people who love purple and like to find ways to include it.

This challah cover was a long time coming. Or just really really late. Sivan and Igor, a pair of my closest friends, moved to LA and bought a house. More than 12 months ago. And I intended to make them a challah cover as a housewarming gift. When I visited them in November, after they'd been in their house for more than a year, I planned to bring said gift. But it existed only in my head, and even there it was a mere figment, with no real plan other than using some purple.

When I playing with all sorts of rainbow road quilts, I had a few extra purples. Like three, maybe four, 5" squares. Not really enough for much. But they played well with creams and browns, and the purple-brown-cream combo is, I think, adult and gender-neutral and not-frilly and very Sigor. The challah cover now lives in LA, where it is probably stashed somewhere during Passover (two more days...I can handle two more days of always feeling slightly hungry, right?), and will make appearances anew when bread is again permissible.

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Amidst the Wildflowers

>> Friday, March 16, 2012

My phone battery is dying. This is not really a big deal, except that it aggravates me. And it bothers me not because every night my phone emits a low-grade whine, alerting me to its wounded state, a mere half-day after it juiced up overnight. That is indeed annoying. But what agitates me is technology's forced obsolescence. The phone -- a Samsung something for Verizon -- is a year and a half old. I use it to make phone calls and send an occasional text. I don't surf the web or take pictures or check my email on it. It replaced a phone I held onto for over 5 years. Because the only thing I want my phone to do is make phone calls. And have a battery that lasts longer than 12 measly hours. Especially when I am traveling. I mean I'm just walking around today, as I'm staying about 12 minutes away from the archive I'm using. But I'm away from home and like staying in touch with people. Actually being away from home is sort of irrelevant as most of the people I talk to on the phone regularly don't live where I live. Whatever. I just want manufacturers to make batteries that last for more than 18 months. I'm sure they are all listening to me and will get on this immediately. Because I asked so sweetly. Or something.

So my little rant above has next to nothing to do with sewing, crafting, or that lovely photo above. About that.

I'm in Cincinnati right now, and I was lucky enough to coordinate my visit with a friend whose Bubbe (Yiddish for grandma) lives here, and I stayed with my friend and her Bubbe for 4 nights. Obviously I needed to bring a gift, and I sent a few emails to my friend to ascertain what might be appreciated. And then ignored the options of flowers and chocolate in favor of playing with fabric. I made a challah cover using Rachel's improv curves Rainbow-Road concept. I took all the 5" solid squares I had handy in my scrap bin, chopped them in half-ish, and started to sew. All very random and improv-y, just the way I like it. Since spring wildflowers are my favorite part of my front yard, it seemed only right to photograph the challah cover in their midst and show off those cute yellow flowers, whatever they may be.

I actually made 3 challah covers in this style, with different color schemes, but the others are being transported to their destinations, and will therefore remain hush-hush for now. This might be the 2012 Challah-Cover style, since it's good to have a yearly go-to. And why not be a trendsetter in the dashing world of crafty Judaica? Ok, the archives have made me a little punchy. But with that, shabbat shalom and have a wonderful weekend.

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Twinkle

>> Friday, August 26, 2011


 Several months ago I showed you my first paper piecing efforts. I wasn't really sure what I was going to do with the block, but I took the advice several of you imparted, and opted to make it into a challah cover/wall hanging. I added a slim aqua border and then a larger natural border, making the block a generous 19" square.

I knew pretty quickly that I would back it with a piece of Dogwood Stripe, from Laura Gunn's Poppy Collection (I think this print is now out-of-print, seeing as it's not longer listed on Michael Miller's website). I had used a tiny scrap on the front and wanted to show off the larger scale on the back.

{Please pardon the wrinkles!}

When quilting it, I opted for straight lines spaced about 1/4 - 3/8" apart within the natural border regions (I realize that makes it sound like I was quilting a political map of a contested war zone rather than a piece of art). I wanted the focus to be on the center circle of triangles, and I think I accomplished that. I also like how the slim aqua border puffs up a bit because it wasn't quilted.

I spent several months (literally) mulling over the binding. At first I considered using another aqua print, but that just seemed blah. Then I thought a green print would work well and pull out the green from the backing print. But I just looked at it, never finding it quite compelling enough. Finally I decided this was going to be a gift for friends I stayed with in Minneapolis and I needed to finish it before I left for the trip. And suddenly I knew that the peach Pearl Bracelet print (from Lizzy House's Red Letter Day collection) would be perfect. I had a momentary pause when I worried about the gray clashing with the natural, but I decided to stick with my gut, and I think the contrast makes the piece zing. And now "Twinkle" resides with my friends Dara and Barry who graciously let me stay in their Minneapolis apartment while they were away.

I think the binding is my favorite part of this challah cover/wall hanging. I already have more plans for the fabric as the binding of a future quilt. It's one of those prints that just works with so many colors, designs, and projects. While I missed out on some of the ducks from Red Letter Day, I'm glad I got my hands on this print. In fact, I'm finding myself more and more drawn to a lot of the "secondary" prints in big collections, especially the tone-on-tone or two-color prints that are extremely versatile and play well with others.

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Summertime Shabbat

>> Thursday, June 2, 2011


It's not technically summer yet, but between the humidity and the long days, it certainly feels like it to me. I'll take the evening light, but I'd be happy to toss the humidity aside. I miss many things about living in Northern California, and the weather is high on that list. Summer's long days also means the Shabbat, which starts and ends according to sundown, starts and ends a lot later. Among friends of mine who are technical about these things, the late start/end has certain advantages and certain disadvantages over the early start/end in the winter. I'm not one for technicalities on these matters, though I appreciate the concept of living according to the rhythms of nature. It's one of the things I really like about camping: you sleep and rise according to the sun. But I digress.


My friend and best customer, Sara, contacted me about a commissioned challah cover. Her sister-in-law was recently engaged and Sara wanted to give her a challah cover as a gift. I was happy to oblige and we started talking about various options, in terms of both design and color. After she talked to her sister-in-law and they looked through some of my work, Sara asked me to make a challah cover like this one, but requested adding "shabbat" in Hebrew. At first I thought I could replicate the fabric from the inspiration one, but I didn't have as much left as I thought. But Sara had sent me some images and color preferences to work with, and "coral" stuck with me. I dug through my stash and reconnected with this coral-y orange/blue/yellow/pink fabric and decided to use it.


This was my first attempt to piece letters, and I spent a lot of time staring at Malka's work. The nice thing about the letters that comprise shabbat is that they're pretty simple -- Hebrew has two main font styles, a blockier printed text and a "cursive" handwritten one. The latter has a lot more curves while the former has serif and non-serif varieties. I briefly thought about using applique, for which I would have started with a serif-ed version, but for sanity's sake, I decided piecing would be better. So I stared and stared and finally started cutting 1.5" strips and working from there. I started with the shin, the letter on the right (Hebrew reads from right to left) as it was not only the first letter but also the simplest. Once I made it, I proceeded with the others. Though it may look like the bet, the middle letter, is wider than the others, they're actually all the same size.

The back is "Day Glowing Daisies" from Patricia Bravo's Naturella Collection. I put this challah cover together a little differently than in the past: instead of quilting it all at once, I pieced the shabbat letters and quilted the off-white canvas before adding the dresden flowers on the edges. Then I added the dresdens and quilted them, so only the dresden quilting shows on the back. I did this so I could fully quilt the background without the back looking like a mess of quilted background lines + dresden lines. Instead, just the dresden petals show. For the dresden centers and binding, I used a solid pink that matched the pink in the orange fabric from the front and coordinated with the fabric on the back.

The best part of making this challah cover was that Sara, who lives in London, was visiting her family in the DC area, and I got to hand this over to her in person. We hadn't seen one another in years, but we had a lovely dinner and chance to catch up.

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Sunny Days

>> Sunday, November 28, 2010


Happy Birthday Mom! I hope it remains sunny and gets a little warmer. We've enjoyed several sunny, if brisk, November days this past week. A few posts ago, my mom requested a dresden plate challah cover for her birthday, and I obliged with this sunny one. Her favorite color is yellow, so I knew I would use yellow in it somewhere.

I took out a bunch of rich fall-colored fabrics to play with before deciding on the combination of this Anna Maria Horner yellow print, some Kaffee Fassett pebbles, and a cranberry solid. I made the dresden plate spikes first and played around with various layouts before settling on the rising sun from the left.

I like how the dresden plate falls off the frame into the edge. Initially I thought about using the cranberry solid as a binding but ultimately determined that the yellow was brighter and more fun.


On the back, I combined some of the pebbles from the front with another Anna Maria Horner print, the leaves from her Garden Party line. On the right, if you squint hard enough, you can see the outline of the dresden plate from the front. This time, I decided to make the applique of the plate part of the quilting process, so the back mirrors the front, with both the dresden plate and the parallel horizontal lines. I gave this to my mom a couple days early, on Friday, so we could use it Friday night.

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A Challah Cover in Chicagoland

>> Friday, October 22, 2010

I had the pleasure of going to Chicago for a couple of days earlier this week. We had a 2-day fall break, I have a lot of friends in Chicago, and some friends from out of town were there. It was a wonderful trip, filled with good times and catching up with friends as well as excellent, excellent vegetarian food. I highly recommend both the Chicago Diner (incredible veggie reuben) and the Blind Faith Cafe (stellar Mongolian stir-fry). I also got to give this challah cover to friends who recently moved to Evanston and bought their first home.

The challah cover combined a partial dresden plate with one of my new favorite fabrics: lightweight dark denim. I picked this denim up when I got the denim I used for Beth's bag. It's a touch darker and much less heavy -- somewhere between quilting cotton and home-dec weight cottons. It's really easy to sew with and looks great with so many quilting fabrics. In particular, Laura Gunn's Lantern Bloom really shines next to it, and I think a quilt may emerge. But I digress...


I had made the dresden plate a few weeks ago and struggled to find the right color to set it on. Denim answered that question, but I was still uncertain about what fabric to use for the center. I tested out quite a few options -- mostly reds, but a couple blues; some solids, some prints. Finally, I realized that this Amy Butler Lotus print (so versatile!) was ideal because it let me put the little flower center in the corner of the challah cover. It took a little fussing with circles to get it right (I still have to work on cutting and sewing circles), but I love the result.

Finally, I had to decide how to quilt it. I hemmed and hawed, debating free-motion quilting, echo quilting, grids, and more. In the end, a few simple lines that created just enough of a stripey look won out. I confess I started quilting thinking I might have to rip it all out. But I didn't.

Since the Lotus print worked so well at the center of the Dresden Plates, I opted to use it on the back. I chose the solid off-white binding because it brought the front together. While it doesn't make the back pop, I think it does its job. Overall, I'm really pleased with this challah cover; I had no idea what it would look like when I started it, and I love the final product.

It is, however, lacking a name. Any thoughts on a good name?

p.s. If you like Dresden Plates, check out Stephanie's. It's amazing, and how she has had the patience for a full quilt of them is beyond me.

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Productive Procrastination

>> Monday, May 10, 2010

Like many people, I procrastinate. Sometimes I'm trying to avoid hard work, other times I'm feeling unmotivated, and still yet other times I'm just restless and seemingly unable to focus. One of the rules I set for myself this year was that I could only watch TV (by which I mean watch shows on the internet) while crafting. I haven't always held myself to this but I've been pretty good. And yet there are times when I opt to make something without the side benefit of TV. Indeed, when I find myself mindlessly scouring the internet, I've been trying to train myself to pause and ask whether I'm really going to get back to work in 5 (10, 15...) minutes or whether I should acknowledge I've fallen off the work wagon and ought to intentionally dedicate my time to something else.

About a week and a half ago, the "intentionally dedicate my time to something else" won out over writing my last-ever class paper. It was a Thursday night and I was having people over for Shabbat dinner on Friday. After making challah and soup, I sat down to write....and found myself trolling the internet. I stopped and realized I wanted a new challah cover, a more spring/summery one. And so I decided to make myself one. Three and a half hours later I ended up with a fun sherberty-orange zig-zaggy challah cover.  

Inspired by all sorts of zig-zag quilts I saw on flickr (e.g., here, here, and here), I knew I wanted to do a few things: use vertical zig-zags, use three fabrics similar in hue but different in design (Amy Butler's Lotus dots, Sandi Henderson's Darmer's Market Peach Medallion Bloom, and a Michael Miller trellis print), place the orange zig-zags next to one another, and have a fair amount of negative space. Originally I wasn't sure about the size, so I started by making the half-square triangles (HST) with the white solid and Lotus dots and then decided how many I liked. From there, I made the rest of the HSTs and laid out the full design. I tried to be very deliberate in creating piles and keeping the correct pairs together but the seam ripper was called into service when I sewed a right side of fabric to a wrong side of fabric in one set of HSTs.

I could tell you that in terms of making the challah cover, I was working symbolically: I used three orange fabrics for the three orange zig-zags and, in Hebrew, shabbat has three letters. If oriented in one way, the zig-zags move left to right, as Hebrew does, into the larger negative space. However, I just thought of all that now. However, I was purposeful in other ways: I quilted the zig-zags and followed the patter (imperfectly) into the negative space. Moreover, I deliberately chose a bright green binding (brighter in person, than in the image; the fabric is from Erin McMorris' Wildwood collection). I think one of the ways in which my quilting design has grown significantly over the past year is in making color choices that allow the quilt to zing or pop or choose your favorite onomatopoeia verb. In the past I probably would have opted for a safe choice -- one of the oranges; it would have been fine, but just fine. I think the green really elevates this challah cover in ways an orange binding would not.

And the back: some more fun orange (Sandi Henderson's Farmer's Market Petal Party). I used this challah cover last week, and it was well-received by my guests. I may be making some more similar ones in the future. If you'd like to get in line and order one, be in touch!

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Filigree Quilting

>> Wednesday, September 23, 2009

I made this challah cover as a companion to the chuppah I just finished. The center square was left over from the chuppah and, with the exception of the white fabric, all the other strips and coins also came from the chuppah-making process. I'm enjoying the challenge of taking fabric bought, cut, and used in one project and finding ways to reappropriate it. Here, I deliberately sought to echo the chuppah design without just shrinking it and redoing it. That wouldn't be too fun!

I used the ends of the strips from the front on the back and created three columns, each moving from lighter to darker fabrics. In Hebrew, shabbat is spelled with three letters, so one could say the columns abstractly represent those letters...or not. It's a thought that crossed my mind but I think it's up to the viewer to decide if that works.

I've been using challah covers to practice free motion quilting, and this was no exception. I was going for a delicate chain look, so some loops and meandering rather than a strict stippling motion. Like always, there are imperfections, but overall I felt more confident and comfortable than ever before. Perhaps because I finally figured out the best tension (between 4 and 5) on my machine to keep the stitches tight on the front and back. No loops anywhere this time!

I'm glad I opted for small sections of white in between each round of color on the front. I think it draws out the color and I'll have to remember this for future blocks. Also, the blue swirl fabric above (a Michael Miller wave print) is one of my favorites. The dragonfly print (below) is one of the first fabrics I ever bought, while the tiny scrap of Amy Butler is one of my more recent purchases.

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A Quickie...Challah Cover

>> Friday, September 11, 2009

Some days (nights) I just need a quick, finishable project to start and complete. Last night was one of those nights. I wanted to make something but couldn't get into the Miracle Foundation quilts. I just wanted the satisfaction of designing, making, and ending a project.


I almost succeeded.

I have a list of people for whom I need (or, would like) to make challah covers. I like giving challah covers as gifts because they're something my Jewish friends use and they offer me a chance to experiment with design, colors, and quilting. Here I opted to make a couple square-inside-square blocks that I first saw in Denyse Schmidt's book, Quilts. She uses solids but I thought these 2 prints worked well together. I initially intended to place them side-by-side, but ultimately decided that off-center worked better.

I pieced the back from the scraps from the front and some additional strips. Had I not pieced the back, I might have finished the whole thing. Then again, I could say that had I not free-motion quilted (challah covers = small = good practice), I might have finished. In any event, I got through quilting but need to pack and get to bed as I'm off to Colorado for the weekend.

But back to the challah cover, I'm still working on my free-motion quilting, especially stippling. There are definitely some imperfections in this challah cover, but I'm pretty confident that they will not harm the look or disrupt the use of it, so I'm ok with that. It's part of what makes it handmade and a step in my works-in-progress. I'm starting to learn the best ways to hold and move the quilt under the darning foot, and I think (hope) this information will help me improve and, eventually, feel comfortable stippling and otherwise free-motioning larger projects.

If my flight goes according to plan, I'll be in the Mile High City when this posts. Have a wonderful weekend!

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A Pebbly Challah Cover

>> Monday, August 24, 2009


I took a break from chuppah-making this weekend to make a challah cover. In the middle of big projects, I often yearn for something small, easily envisioned, and finishable. Challah covers are perfect for this task, and I need to make a handful as wedding gifts. I used fabrics remaining from the chuppah to create this simple design.

At first I wasn't sure what fabric to use as the center and border. A plain white? A cream? A contrasting red? A bright anything? A pale blue floral? In the end, after multiple layouts, the cream with blue (a fq swap acquisition from Quilt Dad) won out, and I think it works well, picking up the blues in the dark colors without competing with it.

I like using challah covers to experiment with new quilting methods (they're small, after all, and therefore low-commitment). I opted for this pebbles design I saw cropping up in the blogosphere, notably here and here. I cannot claim to have mastered the technique, as I think I'll need to do it on a lot of challah covers before I try a larger quilt. I have yet to figure out the best way to move the fabric in circles or move from pebble to pebble (I'm all ears for tips). Nevertheless, I do like the look it creates.

I opted for a simple back, a yellow butterfly (or are they dragonflies?) pattern on blue. For the binding I used a turquoise and gold butterfly print I first used in a quilt for my brother, and now only a sliver remains.

In-progress chuppah pictures coming soon!

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Granny Smith Apples, or Why I Like Sukkot

>> Monday, October 13, 2008


My friend David likes to make fun of the apples on the back of my challah cover. Admittedly, it's a rather fall-themed fabric, but I rather like fall (as do others). The front of the challah cover (which I use year-round) is perhaps autumnal, but not necessarily:

There may or may not be maple leaves on the black fabric, but I don't think David ever noticed that element.

But back to the apples. I know there are many apple varieties, and some would say Honeycrisps or Galas or Fujis are the way to go. I would beg to differ. There are few fruit experiences better than a small, hard, very green with white spots, very tart Granny Smith apple. In my experience, the matte bright green white spots is a fairly accurate predictor of delightful tartness. And the annual experience of excellent apples often signifies Sukkot's presence or imminence.

The reasons why I like Sukkot overlap with many of the reasons I like autumn. For example, leaves changing color:

[These pictures are especially for those of you who live in Israel and requested envelopes full of pretty autumn leaves. More than one of you made this request, and you know who you are. It's difficult to send leaves without an actual address, you know.]

Sukkot is the festival of the tabernacles, hence those funky temporary little huts Jews build in their backyards and on their porches -- who doesn't like getting out their drill to piece their hut together in a modern fashion? Thus the holiday actually commands the people of the book to take their books outside, to eat outside, to sleep outside...in other words, to be outside, to live outside, to appreciate the (ideally) glorious autumn. Clearly this works better for American Jews in New England than in, say, Texas or Florida, but location aside, encouraging people to get outside serves as one of Sukkot's many virtues.

I wanted to build a Sukkah this year, but alas it will have to wait for next year. If I did have a Sukkah, it would be under this tree,

One might not see the tree through the skach -- that which covers the top of the sukkah, usually branches of some sort, so long as one can still see the stars through it. (Growing up, the extensive backyard bamboo covered our sukkah and most of the neighborhood sukkot.) But the fallen leaves would offer a nice crunchy accompaniment to meals, parties, and the like.

That's right, parties. The sukkah party circuit is rather enjoyable, and hopefully includes apple cider,
locally pressed, or not. Sukkot is, after all, a harvest festival and should be celebrated as such. So bring out the gourds, the cider, the squash, the pumpkin bread, and enjoy with guests. Indeed, the tradition of inviting guests to join one in the sukkah is another element of the holiday I respect for it emphasizes the value of community.

The full harvest moon (tomorrow night), the (perhaps in a couple days) crisp air, the foliage, the cooler nights (that make a down comforter so lovely) and cooler days (fleece comes out of the closet), delicious soups (I recommend Cream of Pumpkin of Roasted Vegetable Black Bean -- recipes forthcoming), meals in the Sukkah with friends, and, of course, the easy availability of Granny Smith apples all make Sukkot one of the best holidays on the Jewish calendar.

Chag Sameach!

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Primary Colors +1

>> Friday, October 3, 2008


I made and gave this challah cover to Mark and Marissa earlier this week -- a combined wedding and housewarming present. The blue, yellow, red, and green strips looked really good together in my scrap collection, and I decided I needed to find a way to use them together. The bright colors seemed like a perfect fit for a couple who is always enjoyable to spend time with and welcomes me into their home no matter where or how permanent it is.

I strip-pieced several rows of those fabrics and then cut them into squares on the diagonal to create the 12 squares in the center.


Once I cut the squares, I laid them out by alternating the orientation of the square with "horizontal" and "vertical" stripes -- or the diagonal version thereof. I find that different colors pop out at me depending how long I look at it. I finished the challah cover with a red border (that I also used for the backing) and yellow binding.

For those just starting to quilt, I highly recommend making challah covers. They are versatile -- any design can work -- and yield finished products much more quickly than big quilts. I really learned how to bind by making challah covers, and also began experimenting with free-motion quilting because the smaller surface area made it a much more manageable project.

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